Artyface was founded by Maud Milton in 1999 to provide high quality, legacy public art. Community involvement is integral to our projects: we estimate we work with 4000 + people per year, bringing people of all ages and abilities together to create art that can be enjoyed for generations to come.
About
Artyface works with schools, councils, businesses and the community to make murals, specialising in mosaics and ceramics. Maud is passionate about running intergenerational, multi-cultural inclusive workshops to make art that is accessible and open continuously to all, free of charge. Our projects on the streets of London look as good today as the first day…
News
Here’s what Artyface has been up to lately… Download and print the Artyface Waltham Forest mosaic trail map (click ‘READ MORE’ for active link) and find all 30+ Artyface mosaics in the area. We’d love to see your mosaic pics along with your lovely faces on Instagram and Twitter. Don’t forget to tag @maudmilton and…
Projects
Here you can view some of the many outstanding public arts projects that Artyface has worked on over the years. These include the extensive London Overground Roundels project, initially made possible by a Waltham Forest Fellowship grant andand developed further with grants and partnerships with Architects, Businesses, Rail Companies and Councils, among others. Projects have…
‘Artyface Community Art and the way they engage the community in making it really sums up what is unique and lovely about this neighbourhood.’
Cllr Grace Williams, Leader of LBWF
‘It was a pleasure to work with Maud on the creation of a work of public art for Archway, Islington. Community and democratised art are central to her artistic worldview. Maud was extremely collaborative and hard working. We worked together on ideas, focussed on solutions when things needed development, and when designs were finalised, I trusted her and her team completely to deliver results, all which exceeded expectations. Years of experience have made Maud a trusted professional. There were so few times I felt I needed to check the progress because she regularly informed me. What’s more, I knew the work was in the safest pair of hands.’